Out of an abundance of caution and in keeping with recommendations by the CDC and the WHO, The Arts Club of Chicago will close to members and the public effective 9 pm on Friday, March 13, 2020 until further notice. We will proceed with installing the upcoming exhibition Jennie C. Jones: Constant Structure although the Opening Reception and Lecture have been cancelled. We look forward to publishing the images of the exhibition in the near future.
The following events are postponed until further notice in order to encourage social distancing. :
3/19: Exhibition Opening Tea/ Reception/ Dinner: Jennie C. Jones
3/20: Jennie C. Jones in Conversation
All member events scheduled through the month of April have been postponedWe hope to make content available online of both planned and historical programming.
The staff of The Arts Club with advisement of the Executive Committee are watching the updates and will be in touch. If you have any questions, please email info@artsclubchicago.org. We encourage you to check your email and our website for further updates.
We wish you all the best and robust health in the meantime and regret any inconveniences that may be caused.
Sincerely,
Janine Mileaf
Resources
Resources for Artists in Chicago
New Music Solidarity Fund
Lawyers for the Creative Arts
Events Calendar for Members
WHO Coronavirus Homepage
CDC Coronavirus Homepage
Cook County Resources
Since its founding in 1916, The Arts Club has maintained a permanent collection that tracks the history of the avant garde. Shaped by our exhibition history, it includes works by Modern Masters displayed intimately throughout the Club quarters, graced by interiors designed by Mies van der Rohe.
We’re thrilled to welcome guests on the first Saturday of each month for an exclusive tour of the collection on the second floor of the Club, which is typically restricted for use by members and their guests. Visitors will learn not only about the works in the collection but also about how the Club has been a site for experimentation, exploration, and creativity for artists and their supporters throughout the last century.
On March 7th, the tour will be slightly augmented by a concurrent performance by Industry of the Ordinary. More information here.
All tours are free, but reservations are required.
Industry of the Ordinary (Adam Brooks and Mat Wilson) has been mediating the daily life of Chicago for over 16 years. Dedicated to an exploration and celebration of the customary, the everyday, and the usual, Brooks and Wilson use sculpture, text, photography, video, sound and performance to challenge pejorative notions of the ordinary and, in doing so, move beyond the quotidian.
At The Arts Club of Chicago, Industry of the Ordinary will spend a week intervening on the space in a variety of ways—subtly altering the trappings of the club rooms, feeding visitors edible historical artifacts, and performing with CSO cellist Katinka Kleijn in the gallery. Their residency, entitled Seven Days in March, celebrates and comments upon what is customary and usual at The Arts Club—that we might reevaluate our perception of normal vs. noteworthy.
Saturday March 7
Public Program: Industry of the Ordinary “invites you to eat history”
12:00 – 2:00 pm in The Drawing Room Bar
Public Program: Private Collection tour of The Arts Club (to include IOTO’s interventions)
1:00 – 1:45 (meet in gallery)
Swing through the club on Saturday to literally taste a piece of the club’s history, as provided by Industry of the Ordinary (between 12 and 2). And while you’re at it, join for a group tour of the entire club and its collection (1 – 1:45), which Brooks and Wilson have augmented with pieces of their own. Free and open to all
Tuesday March 10
Public Program: Industry of the Ordinary with Katinka Kleijn perform “If you’ve got a blacklist, I wanna be on it”
6:00 pm – 8:00 pm in the gallery
Visit here to RSVP.
Photo: Jay Wolke
Please join us for reception in celebration of Jennie C. Jones: Constant Structure opening at The Arts Club on March 19, 2020 at 6 pm. This event is free and open to all.
Lingering at the intersection of music theory, painting, and sound, Jennie C. Jones draws on the jazz composition concept of “constant structure” for her exhibition here. The term refers to a consecutive chord progression that models for Jones a sense of cohesion and difference. Like the intervals of jazz then, Jones’s new acoustic panel paintings, works on paper, and site-specific gestures, hit moments of dissonance and harmony through serial repetition and variation. For The Arts Club, Jones further expands her characteristic visual vocabulary into the parameters of the room, accenting the architecture with her minimal gestures and references to her sonic memory.
Industry of the Ordinary (Adam Brooks and Mat Wilson) has been mediating the daily life of Chicago for over 16 years. Dedicated to an exploration and celebration of the customary, the everyday, and the usual, Brooks and Wilson use sculpture, text, photography, video, sound and performance to challenge pejorative notions of the ordinary and, in doing so, move beyond the quotidian.
At The Arts Club of Chicago, Industry of the Ordinary will spend a week intervening on the space in a variety of ways—subtly altering the trappings of the club rooms, feeding visitors edible historical artifacts, and performing with CSO cellist Katinka Kleijn in the gallery. Their residency, entitled Seven Days in March, celebrates and comments upon what is customary and usual at The Arts Club—that we might reevaluate our perception of normal vs. noteworthy.
Saturday March 7
Public Program: Industry of the Ordinary Invites You to Eat History
12:00 – 2:00 pm in The Drawing Room Bar
Public Program: Private Collection tour of The Arts Club (to include IOTO’s interventions)
1:00 – 1:45 (meet in gallery)
Visit here to RSVP.
Tuesday March 10
Public Program: Industry of the Ordinary with Katinka Kleijn perform “If you’ve got a blacklist, I wanna be on it”
6:00 pm – 8:00 pm in the gallery
To conclude their residency at The Arts Club, Industry of the Ordinary collaborates with cellist Katinka Kleijn on a durational performance in the gallery entitled “If you’ve got a blacklist, I wanna be on it.” Luci Lei and Jay Wolke will join as co-performers. Sound Design by Daniel Dehaan. Free and open to all
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Hailed as “Chicago’s first lady of the cello” by Timeout Chicago Magazine, Dutch cellist Katinka Kleijn defies today’s traditional definition of a cellist, transitioning comfortably through the styles of classical, experimental, contemporary, improvisatory, folk and progressive rock, as well as across the traditional fields of solo, chamber and orchestral performance.
Most recently, she appeared as soloist in the World Premiere of Dai Fujikura’s cello concerto at Lincoln Center, New York, where The New York Times described her as “a player of formidable expressive gifts”. A member of the Chicago Symphony Orchestra, Kleijn is in frequent demand as a soloist, performing with the Chicago Symphony Orchestra under the baton of Charles Dutoit in Penderecki’s Triple Cello Concerto, as well as with the The Hague Philharmonic, the Chicago Sinfonietta , the Illinois Philharmonic, the Symphony Orchestras of Elmhurst, DuPage and Sheboygan, and as a soloist in Mark-Anthony Turnage’s Kai on the CSO’s MusicNOW Series.
Photo: Jay Wolke
